Sexual Violence in History: A Bibliography compiled by Stefan Blaschke |
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Start: Alphabetical Index: Author Index: A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | Unknown First published: September 1, 2024 - Last updated: September 1, 2024 TITLE INFORMATION
Author: 김성경 (Sung Kyung Kim)
FULL TEXT Link: KISS (Koreanstudies Information Service System) (Restricted Access) ADDITIONAL INFORMATION
Abstract:
»During the decolonization process in the South, the Japanese military ‘comfort women’ movement navigated a complex terrain between nationalist resistance and feminist critique of wartime sexual violence. The four conferences on “Peace and the Role of Women in Asia” in the 1990s, along with “the 2000 International Women’s Tribunal for Japanese Military Sexual Slavery War Criminals”, were crucial turning points for feminist international solidarity within the movement. These events also highlighted the movement’s nationalist influences. Despite this, the international solidarity of the Japanese military ‘comfort women’ movement has led to significant discussions and engagement in North Korea. In North Korea’s anti-imperialist and anti-colonialist national discourse, the long-invisible ‘comfort women’ were brought to the forefront through international solidarity efforts. Nevertheless, the North Korean regime attempted to leverage the ‘comfort women’ issue in DPRK-Japan diplomatic negotiations. North Korea’s participation in international solidarity concerning Japanese ‘comfort women’ during the 1990s and 2000s has significantly influenced the evolution of the discourse on comfort women within the country. This paper examines North Korean film and literature addressing the issue of Japanese ‘comfort women,’ positing that international solidarity with the movement has introduced a critical fissure in North Korea’s rigid nationalist narrative. The analysis focuses on Nation and Destiny 19-23: A Naturalized Japanese Woman (1994-1995) and Four Blocks of Ice (2017). Particularly, the portrayal of Asian victim group solidarity in Four Blocks of Ice, published during the Kim Jong-un era, highlights the interplay of gender, transnationality, and futurity within North Korean nationalist discourse.«
(Source: KISS)
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